“What I’ve discovered over the last year is that this story has no likable characters. Essentially, everyone’s a sellout in this show.”

That’s what director and choreographer Sergio Trujillo said to me in January about White Noise, the new rock musical he’s helming. “We’re not doing a traditional Broadway show with a love story or a hero,” he continued on the phone from New York on the day the long-in-the-works Chicago production officially announced its booking at the Royal George, with an eye toward Broadway.

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